a white modernist villa on the harbour edge of the Sandbanks peninsula

Built in 2016 and recently reworked by its current owners, the house sits low and white against the harbour on the western flank of the peninsula, where the water is calm and the tide carries the chain ferry across to Shell Bay. The composition is deliberately horizontal — three stacked planes of rendered concrete, the upper floor cantilevered to throw shade across the terrace below. Floor-to-ceiling glazing runs the full width of the principal rooms, and on the harbour side it slides away entirely, so the boundary between the living space and the timber deck dissolves in good weather.

Inside, the plan is organised around a double-height entrance hall finished in polished microcement, with a cantilevered oak stair rising against a single board-marked concrete wall. The main reception faces south-west across the harbour toward Brownsea Island and the Purbeck hills beyond; a separate sitting room and a panelled study occupy the quieter eastern corner. The kitchen is a handleless run of pale oak and honed limestone, set behind a long island, with a utility and wine store tucked discreetly off the rear. Five of the six bedrooms are arranged on the first floor; the principal suite has its own terrace and a dressing room lined in smoked oak.

The plot runs down to roughly forty feet of private harbour frontage, with a deep-water jetty and a boathouse of the same rendered language as the main house — useful for a tender or a day boat, and rare on this stretch. A heated infinity pool sits between the terrace and the water, and there is gated parking and a double garage to the road side. The chain ferry, the open beach at Sandbanks and the sailing water of Poole Harbour are all within a short walk.